portrait
video
01:00
2026
Timo Helgert (Vacades) is a German artist and creative director based in Seoul, whose work lies at the intersection of art, technology, and emotion. His background, marked by a childhood spent in harmony with nature, deeply influences his practice, in which he explores the tension between the organic and the urban, and between serenity and technological innovation. Through his studio, Vacades, he creates immersive digital experiences that combine 3D design, CGI, artificial intelligence, and mixed reality to transform everyday spaces into poetic reflections, evoking nostalgia and wonder. His approach, both cinematic and contemplative, is rooted in the belief that digital art can be both visionary and meditative, offering a visual and emotional escape. Through Vacades, he continues his quest to push the boundaries of digital storytelling, fusing nature, imagination, and technology to create harmonious worlds.
His work has captivated luxury brands and cultural institutions around the world, with which he collaborates to create digital campaigns, installations, and immersive experiences. His partners include prestigious names such as Burberry, Cartier, Hyundai, LVMH, Maserati, Mercedes-Benz, and Tiffany & Co. Recognition of his talent extends far beyond the commercial sphere: a winner of the Korea Design Award (1st prize), Timo Helgert has also been featured by Forbes and participated in a collaborative exhibition at Shanghai International Airport. His creations have been exhibited by the Korean government and showcased by SeoulMySoul. They have also been praised by the international press, with features in publications as diverse as Elle, Rolling Stone, Marie Claire, and the Korean Design Annual.

Inside the Palais Royal, the space feels familiar at first. The symmetry, the arches, the quiet repetition of columns. But something begins to change above. Wisteria starts to grow through the ceiling, slowly pushing its way into the architecture, hanging down in dense, flowing layers.
The structure is still intact, but it feels lighter now. Less controlled. The purple tones soften the stone, pulling the space away from its original purpose. What used to be a passage becomes something more still, more reflective.
Petals cover the ground, absorbing sound, slowing everything down. The light filters through the hanging flowers, breaking into soft gradients of lavender and pale white, shifting the atmosphere without forcing it.
This is not a takeover, it is a quiet integration. A moment where the Palais Royal no longer separates itself from nature, but allows it in. The boundaries fade, and the space becomes something in between.
video
portrait
01:00
2026
