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2025
Ryan Koopmans (BA, MFA) and Alice Wexell are an artistic duo whose practice explores the intersections between architecture, nature, and collective memory. Ryan, born in Amsterdam in 1986 and raised on Vancouver Island, studied geography, art history, and psychology at the University of British Columbia before earning a master’s degree in photography, video, and related media at the School of Visual Arts in New York. Alice, based in Stockholm, honed her skills in animation and coding at Lund University in Sweden. Their collaboration combines Ryan’s photographic eye, fascinated by urban structures and their relationship with nature, with Alice’s digital expertise, driven by a passion for creating surreal environments through innovative technologies. Together, they transform abandoned spaces into animated works of art, where digital vegetation, light, and movement breathe new life into places steeped in history, creating a visual poetry that bridges the past and the future. Their flagship project, The Wild Within, launched in 2021, marked a turning point in their careers by reinventing forgotten buildings through a digital rebirth. Their approach, both conceptual and visually striking, has established them as leading figures in contemporary digital art.
Their works, exhibited from Beijing to Miami, including stops in Seoul, Stockholm, and Montreal, have been featured in prestigious institutions and galleries such as Christie’s, Sotheby’s, the Leila Heller Gallery, and the Swedish Pavilion, and highlighted in international media outlets such as Vogue, GQ Middle East, The National, and WIRED. Their work, collected by digital art funds and private collectors, has also been the subject of collaborations with renowned brands and institutions, such as Mercedes-Benz, BOTTO, and SuperRare.

Lower Silesia, Poland, formerly Eckersdorf, Germany
Deliver the Message reimagines the once-grand entrance hall of Bożków Palace, formerly Schloss Eckersdorf, as a place where nature has quietly returned to reclaim the remains of human ambition.
Built in the 16th century and transformed throughout the 18th and 19th centuries, the palace was once home to the noble von Magnis family. Following the Second World War, the region became part of Poland, and the building was repurposed before eventually falling into abandonment.
After gaining rare access to the site, Koopmans and Wexell photographed its deteriorating interiors and reconstructed the entrance hall as a virtual environment. Digitally sculpted plant life, shifting light, and animation transform the architecture into an imagined renewal where history and biology converge.
Through this meeting of nature and civilization, the work reflects on memory, impermanence, and the natural world’s quiet persistence in reclaiming what humanity leaves behind.
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n/a
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2025