landscape
collage
00:59
2025
Treeskulltown is the conceptual avatar of a French multidisciplinary artist. For the last 4 years, he has been working in the field of digital art. Having grown up in the 80s, the emergence and development of computer technologies and techniques resonated with him and fuelled his curiosity. With 20 years of experimentation and hybridisation between physical and digital art under his belt, his work today is as much a personal quest as an artistic one. When he became a father, a need for simplicity and freedom, combined with the constraints of mobility, led him to return to the source of the desire to create and the pleasure of doing so, using organic materials (earth, paper, paint, cardboard, wood, etc.). It's a way of rediscovering meaning by naturally reconnecting with feelings and emotions. His aim is to develop a temporal parallel, a conversation, with the masters of classical art, to create a sub-reality to art history using mixed media animation techniques, thus creating an analogue palimpsest in digital strata.
Very involved in the crypto-artist community, his works are collected in Ethereum on FOUNDATION, in Tezos on OBJKT and in Bitcoin on GAMMA. Since 2022, his work has been exhibited and presented internationally at major events such as Art Crush Gallery, MOWNA, NFT NYC, NFT Japan, DAM Zine, NFC Lisbon, NFT Factory Paris, R HAUS Art Basel Miami, QUANTA Gallery London, IHAM NFT Gallery Paris. He was also selected in 2024 in The Hug 100 artists to watch and in the N3W Society Bookzine with the web3 agency: BRAWHAUS. His continual quest to reinvent himself and experiment provokes an emotional interaction with the viewer while guiding them with a subtle and conceptualised narrative.

"Rereading", a subrealist and contemporary reinterpretation of Van Gogh's "Ploughman with Woman Planting Potatoes," unfolds as a visual and philosophical meditation on the very act of rereading and redefining a historical work. This piece is part of the Xanthopsia collection—"yellow vision"—designed to suggest that inner brilliance persists even in darkness, and that each layer, each nuance, contains the potential for rebirth.
- Allegory of the palimpsest and digital archeology
- Beyond the image, "Rereading" becomes a palimpsest: watercolor and acrylic glazes applied with a wooden knife create intimate layers, captured by photography and then digitized.
- The hand-cut layer superimposes the analog and the digital, establishing a dialogue between pictorial memory—Van Gogh's imprint—and contemporary traces.
- This "digital archaeology" questions the notion of temporality: each layer contains the canvas's past, while reinventing itself through movement and pixels.
- Abstract Expressionism in Motion
- The instinctive spatula strokes evoke an inner dance, an emotional flow that frame-by-frame animation extends.
- We perceive the telluric energy dear to Van Gogh, but translated into a language where matter disintegrates and recomposes itself in a kinetic rhythm.
- The digital painting replicates the grain size of the physical pigment, creating a textural osmosis that breaks down the flat space of the canvas.
- Philosophy of Rereading and Anachronism
- Philosophically, "Rereading" questions our relationship to time: anachronism becomes a critical tool, showing that a work never freezes in the era in which it was born.
- The act of reinterpretation is equivalent to a conceptual renaissance: we read and reread, redraw and reinvent, creating a symbol capable of lasting through the ages.
- Far from altering the original, this approach underlines its universality and infinite openness to new associations of meaning.
In short, "Rereading" is a manifesto of contemporary art: it deploys mixed techniques to better question meaning, superimposes temporalities to expand memory, and invites everyone to discover, behind the resonance of Van Gogh's work in a contemporary way, their own light—even in the darkness.
Tribute to Van Gogh : « Ploughman with Woman Planting Potatoes »
See the original work at: Von der Heydt-Museum
collage
landscape
00:59
2025