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Treeskulltown is the conceptual avatar of a French multidisciplinary artist. For the last 4 years, he has been working in the field of digital art. Having grown up in the 80s, the emergence and development of computer technologies and techniques resonated with him and fuelled his curiosity. With 20 years of experimentation and hybridisation between physical and digital art under his belt, his work today is as much a personal quest as an artistic one. When he became a father, a need for simplicity and freedom, combined with the constraints of mobility, led him to return to the source of the desire to create and the pleasure of doing so, using organic materials (earth, paper, paint, cardboard, wood, etc.). It's a way of rediscovering meaning by naturally reconnecting with feelings and emotions. His aim is to develop a temporal parallel, a conversation, with the masters of classical art, to create a sub-reality to art history using mixed media animation techniques, thus creating an analogue palimpsest in digital strata.
Very involved in the crypto-artist community, his works are collected in Ethereum on FOUNDATION, in Tezos on OBJKT and in Bitcoin on GAMMA. Since 2022, his work has been exhibited and presented internationally at major events such as Art Crush Gallery, MOWNA, NFT NYC, NFT Japan, DAM Zine, NFC Lisbon, NFT Factory Paris, R HAUS Art Basel Miami, QUANTA Gallery London, IHAM NFT Gallery Paris. He was also selected in 2024 in The Hug 100 artists to watch and in the N3W Society Bookzine with the web3 agency: BRAWHAUS. His continual quest to reinvent himself and experiment provokes an emotional interaction with the viewer while guiding them with a subtle and conceptualised narrative.

“Singular Shadows” is an approach that, starting from van Gogh’s Railway Bridge, explores perception and creation. The project transforms the painting into an allegory where the work is no longer a finished object, but a dynamic process. Through the animation of shadows and a subrealist layering, the focus shifts from aesthetics to introspection.
1. Artistic Dimension: The Hybrid Reinterpretation
The choice of the Railway Bridge symbolizes the connection between van Gogh’s time and our own. My approach draws from the legacy of gestural expressionism: frame-by-frame animation becomes a digital “brushstroke.” Inspired by remix culture, I do not replicate but engage in dialogue, overlaying a contemporary “singular shadow” onto the classical structure.
2. Philosophical Dimension: The Work as Conversation
The work becomes a conversational device. Its cyclical nature prevents it from becoming fixed, inviting the viewer to confront not a result, but a becoming. This conversation unfolds on multiple levels: Work ↔ Viewer, Present ↔ Past, Art ↔ World.
3. Psychological Dimension: Shadows, Xanthopsia, and Duality
The concept explores the Jungian Shadow — not as a threat, but as an unconscious aspect to engage with. My animation brings this subtle double to life. The title of the collection, “Xanthopsia” (yellow vision), is the keystone. It represents an act of will: to find positivity and beauty even within “dark moments.”
Conclusion: The Power of Reinvention
“Singular Shadows” uses hybrid techniques to position van Gogh’s work as a springboard toward timeless questions about consciousness. By transforming a static image into a meditative process, I offer a metaphor for the act of looking itself: a dialogue in which our inner world projects its own “singular shadows” to create meaning.
- Tribute to van Gogh: Railway Bridge over Avenue Montmajour, Arles (private collection)
- Hybrid digital version: 3840 × 2160 px / 4K MP4 / 187 MB / 8 fps / 1/1 edition
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