portrait
generative art
02:00
2024
Seohyo has practiced a form of installation and performance-based work combining common everyday objects with media technology to render them unfamiliar, allowing us to perceive ordinary things in new ways. She has turned her attention to media literacy education programs, pursuing projects to explore the different possibilities of coding through a Creative Computation class. More recently, she has expanded her daily coding practice to generative art, which she started as a way to encourage herself during the pandemic. She creates a variety of animations, either mathematically imagined shapes or taking inspiration from nature.
These works have also been featured on urban billboards at the Korea National Museum of History (Seoul), Kerry Center (Hangzhou), Ten Square (Singapore), Hoog Catharijne (Utrecht), Ebisu Garden (Tokyo), and Incheon International Airport. She also has taken part in events such as Demo Festival(2022), D:Art Festival(2022), the Asia Triennial Manchester(2011), the Seoul Mediacity Biennale(2008), the Gwangju Design Biennale(2007), the Kobe Biennale(2007), the Ogaki Biennale(2006), and SIGGRAPH(2006).

"Pulsating Patterns" is an animation where geometric shapes dynamically expand and contract, influencing their neighbors or merging to form new entities. This interaction primarily involves squares and triangles, evolving into a choreography of shapes that play with spatial perception. As these shapes pulsate, they occasionally overlap, birthing unique formations and altering the visual landscape of the piece. The animation's allure is further heightened by the use of color; hues shift and blend in response to the changing dimensions of each shape, adding depth and intrigue. The overall effect is one of constant vibration, as if the entire screen is alive with movement and energy. This work not only showcases the beauty of geometry in motion but also explores the complex interplay of color, form, and space.
generative art
portrait
02:00
2024