landscape
generative art
01:00
2024
Seohyo has practiced a form of installation and performance-based work combining common everyday objects with media technology to render them unfamiliar, allowing us to perceive ordinary things in new ways. She has turned her attention to media literacy education programs, pursuing projects to explore the different possibilities of coding through a Creative Computation class. More recently, she has expanded her daily coding practice to generative art, which she started as a way to encourage herself during the pandemic. She creates a variety of animations, either mathematically imagined shapes or taking inspiration from nature.
These works have also been featured on urban billboards at the Korea National Museum of History (Seoul), Kerry Center (Hangzhou), Ten Square (Singapore), Hoog Catharijne (Utrecht), Ebisu Garden (Tokyo), and Incheon International Airport. She also has taken part in events such as Demo Festival(2022), D:Art Festival(2022), the Asia Triennial Manchester(2011), the Seoul Mediacity Biennale(2008), the Gwangju Design Biennale(2007), the Kobe Biennale(2007), the Ogaki Biennale(2006), and SIGGRAPH(2006).

I came across the story of an old shipwreck west of Menorca and imagined the subtle landscapes that have accumulated over the centuries in this natural harbor, which is subject to tidal fluctuations. The ceramics recovered from ships preserved beneath the surface reflect the multicultural heritage of the region. Geometric shapes reminiscent of the Mediterranean's marine life surround the artifacts, forming a landscape that blends nature and history. Rhythmic movement reflects the ebb and flow of the deep sea, creating a dynamic interplay. The vibrant color palette of the Mediterranean brings the composition to life with swirling blues, turquoise, and sandy hues, as well as bold new accent colors. It depicts a timeless journey through Menorca's cultural heritage and invites you to enter an underwater world.
generative art
landscape
01:00
2024