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Marjan Moghaddam is a renowned, pioneering, influential and widely exhibited digital artist known for her unique and original style of Posthuman figuration/animation and a critical discourse. She is the recipient of top awards in Digital Art and animation, received grants from the likes of Rockefeller Fund, was a pioneering digital artist of the Internet 1.0 era, has exhibited commissioned digital art at the Smithsonian & other museums, was an Adobe Artist-In-Resident, and Forbes’ Best of AR Art. Marjan has had a prolific gallery exhibition history as a digital artist, and her works are held in private, institutional, NFT DAO, & private NFT art collections.
Marjan has also created high profile public art commissions in Europe, Canada, and the US. Hailed as “trailblazer in digital art”, “the definition of Digital art” and a “Digital Hijacker” by the international art press, she has gone viral numerous times with her #arthacks on the internet and was featured in the BBC documentary When Art Goes Digital. Her NFT art is sold out on top platforms such as Superrare and Quantum and was selected for Meta/Facebook’s Digital collectibles rollout. She is a tenured full professor of Digital Art at LIU/Brooklyn.

#GlitchGoddess of Art Basel Miami with Picasso #Arthack became the first feminist digital Art piece to go viral on top Art Channels on Instagram & Facebook with 10s of millions of views & hundreds of thousands of shares and comments in 2018. Derived from the viral hit which featured voices of women artists talking about inequality, the #GlitchGoddess resists the Art historic convention that the female body is a singular form as she goes from curvy, slender, heavy, pregnant, stylized, and abstract to glitched. Using Marjan's original and unique style of animation called Chronometric Sculpture, #GlitchGoddess acts as a digital art intervention.
3d
portrait
03:13
2022