Pedro Nekoi

Japan

Pedro Nekoi (b. 1992, Brazil) is a visual artist and art director whose practice unfolds at the intersection of surrealism, digital collage, and identity. Based in Tokyo, he works primarily with 3D collage, combining CGI, vintage imagery, and everyday objects to construct vivid, playful worlds that hover between reality and fiction. His work is driven by a deep engagement with color, pattern, and emotion, as well as a commitment to themes of LGBTQIA+ rights, gender, and self-expression.

His distinctive visual language has led to commissions from Adobe, Spotify, Netflix, YouTube, Nike, The New York Times, and United Colors of Benetton, among others. Alongside commercial work, Nekoi develops personal projects and exhibitions that translate his digital worlds into physical experiences, including the solo show "Mundos/The World" presented in Tokyo in 2019.


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Pedro's 3D collages offer a playful graphic universe in which vintage iconography collides in absurd, dreamlike scenes. Somewhere between 2D image and 3D sculpture, his works harmonize a tactile, physical quality with an oneiric surrealism, all in service of an intensely personal visual language rooted in color, emotion, and queer self-expression.

technique

3d

format

portrait

duration

01:22

year

2025

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3D
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Photogrammetry
Photogrammetry is a specialized 3D technique that allows 3D objects to be created from numerous photographs taken of an object or scene from multiple angles. These photos are then compiled to determine the specific positioning, shape, and dimensions of the object in space, and then converted into a 3D model. Initially developed for engineering and urban planning, photogrammetry has become a way for artists to produce extremely accurate 3D models from real-life images.
Collage
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Video
Video artworks primarily use a recording camera, but may sometimes include additional post-processing or editing to distort, modify or add additional elements to the image. Some artists use state-of-the-art recording equipment to create macro zoom-ins or time lapses, privileging fidelity to the subject matter. Others use additional softwares to significantly modify or warp the video, creating an alternative perspective on the world that surrounds us.

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