Giselle Angeles

United States of America

Giselle Angeles (aka Fragmatista) is a Peruvian 3D artist and new media artist based in New York. Her work explores digital worlds and immersive installations. Giselle's approach revolves around 3D visuals and creative designs and her work is frequently exhibited in public spaces. Her fascination with physical spaces, landscapes, technology and 3D art inspires her to explore different technological tools and generate new digital environments.


Giselle has collaborated and contributed to ZAZ 10 Times Square, MUTEK Festival and has worked for brands such as Fubiz, Adidas Originals, Vogue, Annais Yucra, NEO SHIBUYA TV, One Times Square, MIRA Festival, British Council, Espacio Fundación Telefonica, Mercedes-Benz Fashion Week Russia, Standard Vision, Helado Negro. In addition, she has worked and collaborated with many musicians and design studios around the world.



Giselle_Angeles_3D.png

Gratitud - Vertical

Gratitud_-_Vertical_Giselle_Angeles_3D.mp4

A flower for meditation. 🌺

technique

3d

format

portrait

duration

01:00

year

2023

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Generative art
Generative art refers to a way of creating artworks using an autonomous system. In digital art, these are usually generated from code and algorithms created by the artist, often with certain predefined parameters or systems. Although these parameters guide the final outcome of the work, generative art is generally a surprising way to create artworks, as the results are often unexpected and the number of possible outcomes can be infinite.
AI
AI art is a branch of generative art that uses artificial intelligence. Unlike other generative artworks, AI artworks use specific complex algorithms and models derived from machine learning. The most common methods for creating AI art today are GANs (generative adversarial networks) or proprietary prompting platforms such as ChatGPT, Sora, Midjourney, or Dall-e.
3D
3D art uses 3D software such as Blender, Cinema4D, Houdini, or video game software such as Unity to create works of art. In 3D works, artists can either arrange assets (the 'objects' in a 3D artwork or world) that they have created themselves or purchased from other creators to create elaborate environments and scenes (an approach to 3D art called 'set dressing'), or specialize in sculpting, which involves creating their own objects and assets.
Photogrammetry
Photogrammetry is a specialized 3D technique that allows 3D objects to be created from numerous photographs taken of an object or scene from multiple angles. These photos are then compiled to determine the specific positioning, shape, and dimensions of the object in space, and then converted into a 3D model. Initially developed for engineering and urban planning, photogrammetry has become a way for artists to produce extremely accurate 3D models from real-life images.
Collage
An extension of the traditional, plastic approach to collage, digital collage involves searching for and cutting out multiple images, extracting them from their original context, and recomposing them in a new arrangement to create a work of art. Artists can use their own photographs or find images on the internet.
Illustration
Digital illustrations are created using software such as Adobe Illustrator, Photoshop, or Procreate. As with drawing on paper, the artist uses a stylus to sketch a figure or object, usually on a tablet, to construct a scene or artistic universe. Unlike traditional drawing methods, digital illustration is much more forgiving, as mistakes can be easily corrected and drawn elements and objects can be easily moved around within a scene.
Video
Video artworks primarily use a recording camera, but may sometimes include additional post-processing or editing to distort, modify or add additional elements to the image. Some artists use state-of-the-art recording equipment to create macro zoom-ins or time lapses, privileging fidelity to the subject matter. Others use additional softwares to significantly modify or warp the video, creating an alternative perspective on the world that surrounds us.

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