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wie ich es in Erinnerung hatte

MV NYC

wie ich es in Erinnerung hatte

3D
Architecture

This piece captures the essence of recorded footage, experimenting with visuals that are both clear and abstract simultaneously. The result evokes the fleeting, dream-like quality of a memory, blending sharp details with an ethereal atmosphere.

format

portrait

technique

duration

00:13

year

2024

Transport

MV NYC

United States of America

Massimo Vendola, also known as MV NYC, is a videographer and artist specialising in special effects, born in Brooklyn, where he still lives today. Passionate about experimental visuals, Massimo particularly enjoys manipulating reality in combination with computer-generated imagery (CGI) to create unique, dreamlike perspectives and explore altered states of reality. He explores the links between art, emerging technologies, AI, 3D, LiDAR and visual effects (VFX), thereby creating dynamic digital artworks, experiences and videos on the future of creative technologies. Specialising in point cloud visualisation, 3D scanning and creative technologies, his work bridges the gap between physical spaces and digital experiences, creating immersive content that resonates with millions of people. Among his favourite subjects are railway stations, where he wanders through dynamic works of art that explore these structures transformed by techniques such as point clouds.

From ARTECHOUSE documentaries to viral brand campaigns, he has helped organisations such as NASA, Polycam, SmallRig and Intel tell their stories through cutting-edge visual experiences.

wie ich es in Erinnerung hatte

technique

format

portrait

duration

00:13

year

2024

Transport

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More on digital art

Generative art

Generative art refers to a way of creating artworks using an autonomous system. In digital art, these are usually generated from code and algorithms created by the artist, often with certain predefined parameters or systems. Although these parameters guide the final outcome of the work, generative art is generally a surprising way to create artworks, as the results are often unexpected and the number of possible outcomes can be infinite.

AI art is a branch of generative art that uses artificial intelligence. Unlike other generative artworks, AI artworks use specific complex algorithms and models derived from machine learning. The most common methods for creating AI art today are GANs (generative adversarial networks) or proprietary prompting platforms such as ChatGPT, Sora, Midjourney, or Dall-e.

3D art uses 3D software such as Blender, Cinema4D, Houdini, or video game software such as Unity to create works of art. In 3D works, artists can either arrange assets (the 'objects' in a 3D artwork or world) that they have created themselves or purchased from other creators to create elaborate environments and scenes (an approach to 3D art called 'set dressing'), or specialize in sculpting, which involves creating their own objects and assets.

Photogrammetry

Photogrammetry is a specialized 3D technique that allows 3D objects to be created from numerous photographs taken of an object or scene from multiple angles. These photos are then compiled to determine the specific positioning, shape, and dimensions of the object in space, and then converted into a 3D model. Initially developed for engineering and urban planning, photogrammetry has become a way for artists to produce extremely accurate 3D models from real-life images.

Collage

An extension of the traditional, plastic approach to collage, digital collage involves searching for and cutting out multiple images, extracting them from their original context, and recomposing them in a new arrangement to create a work of art. Artists can use their own photographs or find images on the internet.

Illustration

Digital illustrations are created using software such as Adobe Illustrator, Photoshop, or Procreate. As with drawing on paper, the artist uses a stylus to sketch a figure or object, usually on a tablet, to construct a scene or artistic universe. Unlike traditional drawing methods, digital illustration is much more forgiving, as mistakes can be easily corrected and drawn elements and objects can be easily moved around within a scene.

Video

Video artworks primarily use a recording camera, but may sometimes include additional post-processing or editing to distort, modify or add additional elements to the image. Some artists use state-of-the-art recording equipment to create macro zoom-ins or time lapses, privileging fidelity to the subject matter. Others use additional softwares to significantly modify or warp the video, creating an alternative perspective on the world that surrounds us.