landscape
video
02:45
2023
Jean-Michel Rolland is a French artist born in 1972. For a long time, he has been a musician and a painter, combining his two passions - sound and image - in digital arts since 2010. Through video art, generative art, audiovisual performances, and interactive installations, he questions temporality, the true fourth dimension inherent in moving images, as well as the duality between his two preferred mediums, sound and visual.
His formal research is guided by the desire to reveal the intrinsic nature of our perceptual environment and to twist it in order to create new realities in the world around us.
His works, always highly experimental, reflect the sometimes unexpected inner world of their author and yet enjoy significant international exposure.
Several of his works have been recognized for their originality by institutions such as the United Nations University (Dresden, Germany), Digital Graffiti in Miami (USA), Multimatograf (Russia), dokumentART (Germany and Poland), the University of North Carolina (USA), Festival do Minuto (Brazil), Artaq (France), ArchiShorts (Canada), and The International Video Art Review (Poland).

Fran Lejeune : "Roland Barthes, in La chambre claire, wondered about the link between photography and memory.
He believed that the memory of a loved one was lodged in details that emerged on the surface of our mind like a smile or a scent.
The photograph would then serve as an aide-memoire without containing the memory that overflows and escapes it.
Similarly, in the video entitled Souvenirs:Céline, the portrait of a young woman is deconstructed instead of being reconstituted into a coherent image.
First the teeth – ubiquitous – become animal, then the hat turns into a flower petal.
The memory is nothing more than color and textures in a vertical ballet that sweeps away everything in its path."
video
landscape
02:45
2023