landscape
collage
00:59
2025
Treeskulltown is the conceptual avatar of a French multidisciplinary artist. For the last 4 years, he has been working in the field of digital art. Having grown up in the 80s, the emergence and development of computer technologies and techniques resonated with him and fuelled his curiosity. With 20 years of experimentation and hybridisation between physical and digital art under his belt, his work today is as much a personal quest as an artistic one. When he became a father, a need for simplicity and freedom, combined with the constraints of mobility, led him to return to the source of the desire to create and the pleasure of doing so, using organic materials (earth, paper, paint, cardboard, wood, etc.). It's a way of rediscovering meaning by naturally reconnecting with feelings and emotions. His aim is to develop a temporal parallel, a conversation, with the masters of classical art, to create a sub-reality to art history using mixed media animation techniques, thus creating an analogue palimpsest in digital strata.
Very involved in the crypto-artist community, his works are collected in Ethereum on FOUNDATION, in Tezos on OBJKT and in Bitcoin on GAMMA. Since 2022, his work has been exhibited and presented internationally at major events such as Art Crush Gallery, MOWNA, NFT NYC, NFT Japan, DAM Zine, NFC Lisbon, NFT Factory Paris, R HAUS Art Basel Miami, QUANTA Gallery London, IHAM NFT Gallery Paris. He was also selected in 2024 in The Hug 100 artists to watch and in the N3W Society Bookzine with the web3 agency: BRAWHAUS. His continual quest to reinvent himself and experiment provokes an emotional interaction with the viewer while guiding them with a subtle and conceptualised narrative.

This is an interpretation of Van Gogh's work, particularly his exploration of the importance of the symbolism of colours and simplicity in his bedroom, as opposed to his inner landscapes.
Through a subrealist interpretation using modern techniques such as studio-photographed acrylic paint and digital animation, it highlights how art can evolve while remaining anchored in its foundations. The idea of the black pixel as a point of meditation is particularly representative of this collection, as it encourages reflection on the duality between chaos and harmony, light and dark.
This contemporary approach offers another spectrum of interpretation and understanding of Van Gogh but also questions the way in which art can adapt to each person's personal experiences. By connecting elements of modern life to classical masterpieces, I propose to highlight the ongoing dialogue between different eras and cultures. This will show, I hope, because this is my underlying point, that art, whether traditional or modern, has the potential to transcend time and generate profound reflections on human existence. This dynamic really invites us to explore the works in a new way, thus ensuring that the legacy of great masters like Van Gogh remains alive and relevant.
A tribute to: Bedroom in Arles – Vincent Van Gogh :1889
See the original work at the Musée d’Orsay, Paris
collage
landscape
00:59
2025