My work, "Stepping Outside the Box" is part of a profoundly contemporary artistic approach, both visual and philosophical, revisiting Van Gogh's Large Plane Trees. It embodies a reflection on abstraction, the hybridization of media, and the notion of perception—central themes of digital subculture and contemporary art.

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1. Visual Conceptualization: Hybridization and Subrealism

My piece fuses acrylic paint on canvas and frame-by-frame digital animation, creating a hybrid visual language that transcends the traditional boundaries of art.

- Subrealist Abstraction: By deconstructing Van Gogh's forms in an abstract manner—the plane trees, the workers—I move away from realism. Subrealism here evokes a reality beyond the visible: a reality filtered by digital technology and emotion.

- Mixed media: The painted canvas, photographed and then animated, symbolizes a controlled dematerialization—a transition from the physical to the virtual, as a metaphor for the changing nature of our relationship with images.

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2. A philosophical allegory: stepping outside the box

The title "Stepping Outside the Box" works on several levels:

- Literal: Van Gogh himself sought to transcend the limits of the box with his swirling brushstrokes and chromatic vibration. You take this logic further: the elements leave the canvas, come to life, and escape into the digital space.

- Figurative: Stepping outside the box is also a metaphor for creative freedom, the subversion of norms, and the quest for new languages. This refers to the idea of transcending—art history, techniques, and even normative perception.

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3. The Xanthopsia Collection: A Perceptive Utopia

The "yellow vision"—Xanthopsia—from which Van Gogh suffered becomes a curatorial concept here.

- Altered Perception = New Reality: By saturating the work with yellow, you don't reproduce a pathology, you transform it into a utopian prism: seeing the world differently, finding light in the darkness.

- Duality and Coexistence: The tensions between the physical and the digital, the figurative and the abstract, the stable and the animated, echo the harmonies and conflicts so dear to Van Gogh—between nature and humanity, madness and genius.

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4. The Digital Subculture: Reinvention and Memory

My approach is rooted in a post-internet aesthetic, where the work is no longer a finished object but a process:

- Minimal Animation: The subtle movements create an active, almost meditative contemplation, specific to the culture of GIFs and hypnotic loops.

- Reinterpretation as an act of cultural resistance: Revisiting Van Gogh with digital tools affirms that artistic heritage does not belong only to museums—it lives, transforms, and is shared in the attention economy.

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5. Synthesis: Van Gogh in the Digital Age

"Stepping Outside the Box" is not just a tribute, it's a manifesto:

- On the reinvention of art as a dialogue between eras and techniques.

- On the power of the gaze: just as Van Gogh saw the world through yellow, I propose to see it through the screen in an altered way—without cynicism, but with the hope of finding meaning.

- Finally, on art as a total experience: canvases, pixels, and animations interact to form an open work, deliberately unfinished, like an invitation to see beyond appearances.

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Conclusion

My reinterpretation of Van Gogh embodies a contemporary vision of art: hybrid, philosophical, and profoundly human. It proves that the masterpieces of the past are not relics, but conceptual playgrounds where new forms of sensibility can be experimented with.

"Outside the Frame" and the Xanthopsia collection thus offer an artistic and existential response to our image-saturated era: what if the true revolution consisted simply of changing our perspective?

Stepping Outside the Box : Xanthopsia 153:

Tribute to Van Gogh: «The Large Plane Trees (Road Menders at Saint-Rémy) »

Original at : Cleveland Museum of Art

3840 x 2160 px / 4k MP4 / 116 Mo / 16 frames at 8 fps / 1/1 édition

On @objktcom :
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