Treeskulltown

France

Treeskulltown is the conceptual avatar of a French multidisciplinary artist. For the last 4 years, he has been working in the field of digital art. Having grown up in the 80s, the emergence and development of computer technologies and techniques resonated with him and fuelled his curiosity. With 20 years of experimentation and hybridisation between physical and digital art under his belt, his work today is as much a personal quest as an artistic one. When he became a father, a need for simplicity and freedom, combined with the constraints of mobility, led him to return to the source of the desire to create and the pleasure of doing so, using organic materials (earth, paper, paint, cardboard, wood, etc.). It's a way of rediscovering meaning by naturally reconnecting with feelings and emotions. His aim is to develop a temporal parallel, a conversation, with the masters of classical art, to create a sub-reality to art history using mixed media animation techniques, thus creating an analogue palimpsest in digital strata.

Very involved in the crypto-artist community, his works are collected in Ethereum on FOUNDATION, in Tezos on OBJKT and in Bitcoin on GAMMA. Since 2022, his work has been exhibited and presented internationally at major events such as Art Crush Gallery, MOWNA, NFT NYC, NFT Japan, DAM Zine, NFC Lisbon, NFT Factory Paris, R HAUS Art Basel Miami, QUANTA Gallery London, IHAM NFT Gallery Paris. He was also selected in 2024 in The Hug 100 artists to watch and in the N3W Society Bookzine with the web3 agency: BRAWHAUS. His continual quest to reinvent himself and experiment provokes an emotional interaction with the viewer while guiding them with a subtle and conceptualised narrative.


Treeskulltown_Collage.png

The Three Paths: Piece No. 3: Arthat: Xanthopsia 145

The_Three_Paths_Piece_No._3_Arthat_Xanthopsia_145_Treeskulltown_Collage.mp4

My artistic and conceptual project represents a fusion of pictorial tradition, Buddhist spirituality, and digital innovation. Here is an in-depth summary developing each dimension:


1. Philosophical Foundations: The Three Paths of Mahayana


- Vision (Darśana-mārga): Symbolized by the chromatic reinterpretation (particularly the dominant yellow of xanthopsia), evoking altered perception as a metaphor for spiritual awareness.


- Meditation (Bhāvanā-mārga): Materialized by manually cut-out layers, embodying the patience and contemplative effort necessary for transcendence.


- Arhat Path (Aśaikṣa-mārga): Represented in the triptych as a culmination, where minimalist digital animation suggests dynamic and fluid awakening.


- Minimalist Animation:


- Through subtle frame-by-frame interpolations, I convey Buddhist impermanence (anicca) and the fluidity of awakened consciousness.


2. Dialogue with Van Gogh: Duality and Xanthopsia


- Reinterpretation of Duality:


- The original chromatic tensions (violent complements in Van Gogh) become yellow-orange harmonies for you, evoking the "utopian vision" in the darkness.


- The sunflowers or irises of "Flower Garden" are transfigured into symbols of the "three kingdoms" (animals, hungry spirits, hell), now pacified by the path of arhatship.


- Xanthopsia as Metaphor:


- This sensory alteration becomes an allegory of enlightened perception: seeing spiritual light at the heart of existential suffering. 3. Contemporary Dimension: Art in the Digital Age


- Subrealism: My style fuses expressionist abstraction (painterly gestures) with a stripped-down digital aesthetic, creating a liminal space between the real and the virtual—a reflection of Buddhist "realms of existence."

- Interactive Contemplation: Animation invites active meditation, where the viewer participates in the dissolution of boundaries (physical/digital, suffering/awakening), actualizing the Buddhist principle of interdependence (pratītyasamutpāda).


Conclusion: Transcendence through Hybridity


My work embodies a 21st-century visual theology: by blending Buddhist spirituality with digital language, I hope to demonstrate that art remains a vehicle for universal awakening. The reinvention of Van Gogh is not a passive homage, but an active dialectic: his quest for light in darkness finds a fractal echo in my exploration of the "Three Paths." Mixed media thus becomes a media ritual, where manual gesture (clipping) and algorithm (animation) conspire to reveal the eternal in the ephemeral – the very essence of Nirvana.



Tribute to Van Gogh : «  Blumengarten »

Original at : private collection

2160 x 3840 px / 4k MP4 / 107 Mo / 8 fps / 1/1 édition

On @objktcom :
https://objkt.com/tokens/KT1SPfxmyYFdQtFdc8cr9o1Mgkc6RU3LBKHP/149

technique

collage

format

portrait

duration

00:59

year

2025

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