landscape
collage
01:00
2025
Treeskulltown is the conceptual avatar of a French multidisciplinary artist. For the last 4 years, he has been working in the field of digital art. Having grown up in the 80s, the emergence and development of computer technologies and techniques resonated with him and fuelled his curiosity. With 20 years of experimentation and hybridisation between physical and digital art under his belt, his work today is as much a personal quest as an artistic one. When he became a father, a need for simplicity and freedom, combined with the constraints of mobility, led him to return to the source of the desire to create and the pleasure of doing so, using organic materials (earth, paper, paint, cardboard, wood, etc.). It's a way of rediscovering meaning by naturally reconnecting with feelings and emotions. His aim is to develop a temporal parallel, a conversation, with the masters of classical art, to create a sub-reality to art history using mixed media animation techniques, thus creating an analogue palimpsest in digital strata.
Very involved in the crypto-artist community, his works are collected in Ethereum on FOUNDATION, in Tezos on OBJKT and in Bitcoin on GAMMA. Since 2022, his work has been exhibited and presented internationally at major events such as Art Crush Gallery, MOWNA, NFT NYC, NFT Japan, DAM Zine, NFC Lisbon, NFT Factory Paris, R HAUS Art Basel Miami, QUANTA Gallery London, IHAM NFT Gallery Paris. He was also selected in 2024 in The Hug 100 artists to watch and in the N3W Society Bookzine with the web3 agency: BRAWHAUS. His continual quest to reinvent himself and experiment provokes an emotional interaction with the viewer while guiding them with a subtle and conceptualised narrative.

1. Artistic and Philosophical Context
This work is part of a contemporary hybrid practice, where the physical pictorial gesture (acrylic on canvas) and digital processing (stop-motion animation) merge to create a subrealist abstraction. The title "The Meaning" operates as a polysemic metaphor: a quest for existential meaning, but also a sensory and perceptive direction. This duality directly refers to the philosophy of the new human, where identity is constructed in the in-between of organic reality and its digital echo.
2. Gestural Abstraction and Primordial Chaos
This reinterpretation draws on Abstract Expressionism (Pollock, De Kooning) to convey the chaotic abundance of life. The painted gestures—drips, impasto, splashes—evoke a primordial chaos, while the digital animation introduces a fluid, almost organic temporality, recalling the theories of resurgence and emergence (complexity theory). The bridge, symbolically transposed into a luminous and moving structure, becomes the passage from this chaos to an order symbolized
by digital light, echoing Van Gogh's quest for transcendence through color and form.
3. Duality and Coexistence: From the Physical to the Digital
The work explores the tensions between:
- Hand and Algorithm: The acrylic paint preserves the trace of the human gesture, while the animation introduces a computational logic.
- Stasis and Movement: The photographed canvas freezes the gesture, but the animation replays it in a contemplative loop, evoking neuroplasticity and the permanent reconfiguration of the self. - Real bridge and symbolic bridge: the Courbevoie bridge is no longer just a geographical location, but a metaphor for the transition between states of consciousness (real/digital, chaos/order, self/avatar).
4. Homage and Displacement
This is not a copy, but a performative reinterpretation: Van Gogh is invoked as a precursor of a metaphysical abstraction, where the vibration of the brushstroke prefigures data flows. The work on light—already central to Van Gogh—is reworked through the medium of digital hybridization, creating an artificial aura that questions our relationship to the sacred in the digital age.
The Meaning: Xanthopsia 165:
Tribute to Van Gogh : « The Bridge at Courbevoie »
Original in :
Van Gogh Museum
Digital art version :
3840 x 2160 px / 4K MP4 / 266 Mo / 15 fps / 1/1 édition on @teia
collage
landscape
01:00
2025