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The Indigo Side of Ourselves

Marine Bléhaut

The Indigo Side of Ourselves

Collage
Figurative
Pop

The blue side we reject, and want to exclude from ourselves. But we can never do. In a scene from Haxan (1922), a woman (considered as hysterical and excluded from society), walks in her sleep. At the center, families of bacteria and insects that we accept or destroy. A video about self-acceptance and self-rejection.

format

landscape

technique

collage

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01:15

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Transport

Marine Bléhaut

France

Born in 1992, Marine Bléhaut is a French multidisciplinary artist based in Paris, whose work sits at the intersection of cinema, digital art, and artificial intelligence. Trained in art history, cultural management, and graphic design, she began her practice in contemporary drawing before moving into digital media. Drawing on anonymous photographic archives, experimental cinema, and various references from contemporary drawing, she now creates films, video fragments, and photographic collections. Her practice combines multiple digital tools, AI models, and platforms to produce fragmented works that unfold across shifting boundaries: fragility and emancipation, alternative narratives and dominant storytelling, realistic textures and AI-specific imperfections. She approaches memory as a permanent reconstruction, porous and biased, building artificial archives where glitches and anatomical errors echo that same fragmentation.

The artist, now part of the New French Touch collective, is featured in GxrlsRevolution's catalogue of 100 Women to Watch in NFTs, a collective founded by Annelise Stern and JessyJeanne. Her work has also been presented at Rome New Media Week; Art on Tezos, Berlin (2025); the Speculative Agency Award with Cifra (November 2025); POSITION Art Fair in Berlin (September 2025); and as part of the exhibition AI, My Sparring Partner with 1703 x Havas, Paris (2024).

The Indigo Side of Ourselves

technique

collage

format

landscape

duration

01:15

year

Transport

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