Treeskulltown

France

Treeskulltown is the conceptual avatar of a French multidisciplinary artist. For the last 4 years, he has been working in the field of digital art. Having grown up in the 80s, the emergence and development of computer technologies and techniques resonated with him and fuelled his curiosity. With 20 years of experimentation and hybridisation between physical and digital art under his belt, his work today is as much a personal quest as an artistic one. When he became a father, a need for simplicity and freedom, combined with the constraints of mobility, led him to return to the source of the desire to create and the pleasure of doing so, using organic materials (earth, paper, paint, cardboard, wood, etc.). It's a way of rediscovering meaning by naturally reconnecting with feelings and emotions. His aim is to develop a temporal parallel, a conversation, with the masters of classical art, to create a sub-reality to art history using mixed media animation techniques, thus creating an analogue palimpsest in digital strata.

Very involved in the crypto-artist community, his works are collected in Ethereum on FOUNDATION, in Tezos on OBJKT and in Bitcoin on GAMMA. Since 2022, his work has been exhibited and presented internationally at major events such as Art Crush Gallery, MOWNA, NFT NYC, NFT Japan, DAM Zine, NFC Lisbon, NFT Factory Paris, R HAUS Art Basel Miami, QUANTA Gallery London, IHAM NFT Gallery Paris. He was also selected in 2024 in The Hug 100 artists to watch and in the N3W Society Bookzine with the web3 agency: BRAWHAUS. His continual quest to reinvent himself and experiment provokes an emotional interaction with the viewer while guiding them with a subtle and conceptualised narrative.


Treeskulltown_Collage.png

The City With Organic Mapping: Xanthopsia 212

The_City_With_Organic_Mapping_Xanthopsia_212_Treeskulltown_Collage.mp4

My project is a process-based work that merges art, history, and philosophy around the concept of the organic city as a living and psychic organism. Starting from van Gogh’s Restaurant de la Sirène at Asnières, I deconstruct and reassemble the work through multiple lenses: architectural, technical, stylistic, and thematic. The final piece is not a static object, but a philosophical device.

1. Organic Architecture Transposed: The Totemic City

- The Work as Organism: In the spirit of Frank Lloyd Wright’s architecture, the work emerges from the meeting between van Gogh’s vision, my own approach, and contemporary tools.
- “Treeskulltown,” a utopian mapping: This totemic city is not a literal representation, but a conceptual cartography in constant motion. The animation reveals a structure that grows, transforms, and breathes.

2. The Subrealist Palimpsest: Archaeology of Creation

The palimpsest technique makes the creative process visible by layering temporal and conceptual strata:
- Original: van Gogh’s work
- Material: acrylic painting, the tangible gesture
- Digital: animation that awakens the still image within a dreamlike logic

3. The Philosophical Conversation: The Work as “Device”

- Activation of the Viewer: The work functions as a “device.” Its perpetual motion invites active contemplation.
- Inner and Outer Dialogue: The conversation operates on two levels — externally with art history (van Gogh, Wright), and internally, as a meditative support.

4. Xanthopsia and Hybrid Culture: A Perceptual Utopia

- Yellow Vision as Conceptual Filter: Xanthopsia becomes a decision to “find positivity,” to perceive growth potential within the ruins of the past.
- Hybridization as Language: Emblematic of digital culture, the work is inherently hybrid, existing at the intersection of the material and the immaterial.

Conclusion

This project goes beyond homage to become a philosophical proposition. It reactivates the legacy of van Gogh and Wright as living materials, creating a mirror held up to contemporary consciousness.

- Tribute to Vincent van Gogh: The Restaurant de la Sirène at Asnières (collection: Ashmolean Museum)
- Hybrid digital version: 2160 × 3840 px / 4K MP4 / 194 MB / 8 fps / 1/1 edition

technique

collage

format

portrait

duration

01:00

year

n/a

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