Treeskulltown

France

Treeskulltown is the conceptual avatar of a French multidisciplinary artist. For the last 4 years, he has been working in the field of digital art. Having grown up in the 80s, the emergence and development of computer technologies and techniques resonated with him and fuelled his curiosity. With 20 years of experimentation and hybridisation between physical and digital art under his belt, his work today is as much a personal quest as an artistic one. When he became a father, a need for simplicity and freedom, combined with the constraints of mobility, led him to return to the source of the desire to create and the pleasure of doing so, using organic materials (earth, paper, paint, cardboard, wood, etc.). It's a way of rediscovering meaning by naturally reconnecting with feelings and emotions. His aim is to develop a temporal parallel, a conversation, with the masters of classical art, to create a sub-reality to art history using mixed media animation techniques, thus creating an analogue palimpsest in digital strata.

Very involved in the crypto-artist community, his works are collected in Ethereum on FOUNDATION, in Tezos on OBJKT and in Bitcoin on GAMMA. Since 2022, his work has been exhibited and presented internationally at major events such as Art Crush Gallery, MOWNA, NFT NYC, NFT Japan, DAM Zine, NFC Lisbon, NFT Factory Paris, R HAUS Art Basel Miami, QUANTA Gallery London, IHAM NFT Gallery Paris. He was also selected in 2024 in The Hug 100 artists to watch and in the N3W Society Bookzine with the web3 agency: BRAWHAUS. His continual quest to reinvent himself and experiment provokes an emotional interaction with the viewer while guiding them with a subtle and conceptualised narrative.


Treeskulltown_Collage.png

Xanthopsia 98: Cyclical Movement of Saved Souls

Xanthopsia_98_Cyclical_Movement_of_Saved_Souls_Treeskulltown_Collage.mp4

Extended Conceptualization: "Cyclical Movement of Saved Souls"

(Subrealist Homage to Van Gogh, Integrating Mixed Physical-Digital Media)


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1. Philosophy: Palimpsest of Souls and Cyclical Dialectic

 


The work is based on a metaphysics of renewal, inspired by Buddhist samsara and Nietzschean thought of eternal return. "The Staircase at Auvers" could be an original symbol of regeneration and renewal for Van Gogh; here, it becomes a field of spiritual forces where souls, like layers of paint, intertwine and transform. The notion of salvation is redefined not as an end, but as a dynamic process—a liberation through the very movement of the cycle, evoking the Hegelian dialectic (thesis-antithesis-synthesis) transposed into a mystical dimension. The dominant yellow, linked to Xanthopsia, acts as a utopian filter: it transforms “dark moments” into luminous energy, recalling Van Gogh’s ability to transcend his suffering through creation.


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2. Artistic: Subrealist Hybridity and Digital Reinterpretation

 


Mixed Media:

- Physical: The original canvas, worked with watercolors and inks, captures Van Gogh’s expressionist impulsiveness. Manually cut, photographed, and digitized layers introduce a fragmented materiality, evoking the memory layers of souls. - Digital: The texture of the brushstrokes is recreated through digital painting, then animated frame by frame, giving life to a hypnotic visual flow that simulates the breathing of forms. This dialogue between the organic and the artificial questions authenticity in the post-digital era.


Subrealism:

This self-defined movement fuses lyrical abstraction (liberating gestures) with a symbolic distortion of psychic realities. Van Gogh's sunflowers, stylized as fractal spirals, become vortices sucking souls toward redemption, while starry skies dissolve into digital neural networks—a nod to van Gogh's hallucinations and contemporary neuroscience.


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Conclusion: This reinterpretation not only pays homage to Van Gogh—it embodies his revolutionary spirit by pushing abstraction into new techno-poetic territories. The cycle of souls then becomes a metaphor for art itself: eternally in motion, saved by its own capacity to reinvent itself.

 


Tribute to Van Gogh: « Stairway at Auvers   »

See the original work at : Saint Louis Art Museum

technique

collage

format

landscape

duration

00:59

year

2025

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