A self-taught Italian artist, Svccy began his career in 2016 with digital collage before turning to 3D art. His practice is now rooted in a personal reinterpretation of the Vaporwave movement, an aesthetic trend that emerged online in the 2010s, known for its nostalgic exploration of computer interfaces and video game consoles from the 1980s and 1990s; featuring recurring motifs such as Roman busts, deserted shopping malls, and Japanese visual culture, all enveloped in shades of purple and pink. Svccy offers a darker, more introspective take on this style, in which his artistic exploration examines questions of identity, authenticity, and illusory freedom in the age of the technological and media revolution. His works are characterized by statues, often faceless or covered with objects, symbolizing the loss of individual identity within contemporary society, which is ultra-consumerist and dominated by technology. He enriches his animated compositions with original music that he composes himself, thereby offering a 360-degree immersive artistic experience.
Svccy has received numerous awards for his work, including the Work Culture Observatory Award at the Connexion Festival in Rome, and has distinguished himself as the winner of the Talent Varese solo exhibition, a finalist for the 14th “Sergio Fedriani” Prize, the Varese Design Week Talent Award, and the first edition of the art competition organized by BVLGARI Accessories and COMONExT. In 2023, he was selected for a solo exhibition at W1 Curates on Oxford Street in London. That same year, he exhibited in Shibuya, Tokyo, and was then selected to design the visual projections for Bellini’s “Norma” and Verdi’s “Nabucco” during the Ravenna Festival’s 2023 Autumn Trilogy, thereby bringing digital art into the classical world of opera. He was also a finalist among the twelve artists selected for the first edition of the VDA Award in 2023. In 2025, he continued to exhibit in Belgium, Romania, South Africa, and Indonesia; participated in the Istanbul IDAF at the AKM; and embarked on an Italian tour with composer Pasquale Corrado featuring the audiovisual performance “Requiem.”

Man in his evolutionary process has made an ascent towards estrangement from nature, adapting it more and more to his needs and practicing a process of soil destruction and pollution. The road traced by now risks pointing towards an ecological disaster, with the risk of finding itself with pale empty concrete skeletons, symbol of a selfish race that hasn’t been able to support and protect the landscape in which it lived.
About the series Living Structure
The series analyzes the difficult relationship between man and nature, between unbridled urbanization and sustainability. How far will man go in the exploitation of soil? Will he be able to find a solution and get out of this vicious circle that is leading him to self-destruction? Or will it disappear, giving way to imposing abandoned gray skeletons, a reminder of a civilization aimed at consuming resources and which hasn’t been able to preserve its environmental heritage?
3d
portrait
01:02
2022