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Darryl Rogers is an Australian time-based media artist working primarily with video, augmented reality, and virtual reality installations. Driven by a deep interest in metaphysical questions and the fluid nature of perception, his work explores the idea that what we accept as reality is merely a fraction of a broader, intangible dimension. Through carefully constructed perceptual shifts and material ambiguities, Rogers creates immersive experiences that challenge viewers both aesthetically and intellectually, encouraging reflection on the deeper essence of existence and the nature of what truly matters.
His work has been exhibited widely on the international stage, including presentations at Times Square in New York City, LOOP Barcelona, FACT in the UK, and the UMW Media Wall in the United States, among many other video art festivals around the world. His artworks are held in major collections such as Artbank Australia and the Tasmanian Museum and Art Gallery, as well as numerous private collections globally. In addition, a curated selection of his motion artworks is available for streaming on platforms such as Apple TV and Amazon Fire.

Paradise Spin is part of Spinland series by Darryl Rogers. Inspired by the question, "how can time be used as the essential medium in time-based media?", these video works push the boundaries of video art by placing time at the forefront. As paint is the essential medium to painting, time is the medium of a video artwork yet it is often treated as a byproduct or merely a narrative element. Spinland invites us to explore time as the delineating component.
TS Eliot’s lines from his poem Burnt Norton (The Four Quartets) were an inspiration to Rogers :
At the still point of the turning world. Neither flesh nor fleshless; Neither from nor towards; at the still point, there the dance is, But neither arrest nor movement. And do not call it fixity, Where past and future are gathered. Neither movement from nor towards, Neither ascent nor decline. Except for the point, the still point, There would be no dance, and there is only the dance.
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