Sares

Argentina

Sares is a digital artist whose work captures aesthetic beauty within temporal chaos using mixed media techniques, including 3D, AI, and generative art. Viewing destruction and chaos as forms of creation, Sares explores the silent intersection of past and future in the present moment. His "AI Reflections" experiences invite viewers to reflect on the now by analyzing the passage of time and emotions shaped by personal experiences, seeking to introduce and analyze aspects of the psychology of the human mind within these digital spaces. Considering both history and future possibilities, Sares employs a digital process that controls information and data, creating procedural works that blend classical aesthetics with modern abstraction, transforming spectators into active witnesses. His creative approach draws from varied sources, including Wong Kar-Wai's atmospheric cinema which informs his use of saturated palettes and emotional temporality. Yuk Hui's cosmotechnics philosophy also guides his effort to root digital processes in deeper meaning, rather than mere technical execution. Through a deliberate practice of inhabiting the present moment, Sares allows intuition to shape the balance between chaos and order in his work.

With over a decade of experience in art direction and international exhibitions spanning New York, Beeple Studios, China, and Europe, Sares conveys reflective messages about lived emotions, often exploring the underlying psychological states they represent. Each artwork embodies a challenge to interpret the digital realm, break boundaries, and inspire positive change by impacting the present and shaping the future, always informed by the lessons of the past. Sares was a selected artist for the AI Hokusai Residency in 2024 and the Primavera Digitale Residency in Florence, Italy, in 2025.


Sares_AI.png

Pater

Pater_Sares_Generative_art.mp4

“Pater” emerges as a profound whisper on the archetype of the Father, the symbol of law, structure, and authority that guides without imposing, that sustains without noise. The piece delves into that psychic force dwelling in the deepest layers of consciousness, the silent origin of order, meaning, and the will that aspires to elevation. Inspired by the generative dream arising from the artist’s memory, the work explores how conscious will becomes a catalyst for the unification of the psyche, transforming fragmentation into wholeness under the light of an immutable law.

The archetype of Pater reveals itself as a state of resolution and structure, where the will manifests to integrate, sustain, and give form. Every line, every void, every pulse of the work is a gesture of order, an echo of the principle that turns chaos into destiny and uncertainty into path. Through the work, this principle of inner law unfolds as a conceptual manifestation of the human mind. The piece maps the geometry of guidance, the subtle chart where the self recognizes its course, the invisible fabric connecting the inner with the outer.

It is an invitation to contemplate the complexity of humanity and the quiet force residing within, reminding us that the eternal archetype of structure does not impose, but transforms: stabilizing, ordering, and projecting a horizon of destiny and meaning.

The structuring law. A column of spirit dwelling in the psyche, the force that defines conscious will and traces the path. The edge of order that dissipates the fog of the unconscious, the emotion of resolution that gives rise to structure. A deep connection with the principle of ascension, the testimony of reason integrating chaos, shining with the promise of self-legislated destiny.

“Pater” delves into the transformative power of the principle of law, exploring identity through the emotion of resolution. The piece employs as a dynamic component the generative dream arising from the artist’s memory, an input triggered by the Father archetype. The Father archetype (Pater) embodies the principle of the Logos (reason), spiritual consciousness, and the capacity to establish law and moral order. Its primary function is discrimination, structure, and judgment, enabling individual consciousness to navigate the world and order the chaos of the unconscious.

A quantum processing system feeds on this information to set the parameters of its components, revealing the state of conscious will and the structure that defines the path. This approach allows the work to become a reflection of the archetype and its potential to generate order, expressing the human spirit’s capacity to unify the fragmented under a higher law.

The conceptual narrative manifests as a sculpture of data: an organism presented as a map of inner order. It is a cartography of resolution, a reflection of the logical and determined structure of consciousness. Cream-colored bamboo flowers, with their symbolism of longevity, unwavering integrity, and immutable strength in Hanakotoba, occupy the narrative core. Their defined and persistent structure represents preestablished law—a logical constellation that, at first glance, appears immutable.

The principle of law acts as the active force that unifies chaos. It reveals how this emotion generates discipline, allowing the self to align with its destiny. The piece testifies to how the Father archetype has the power to reconfigure the psyche, transforming it into an active force that overcomes fragmentation to trace a future of wholeness.

“Pater” presents itself as a space of introspection, inviting us to explore the potential of inner structure, recognizing it as the fundamental anchor in the reconfiguration of identity and the becoming of the self.

technique

generative art

format

portrait

duration

04:02

year

2026

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Generative art
Generative art refers to a way of creating artworks using an autonomous system. In digital art, these are usually generated from code and algorithms created by the artist, often with certain predefined parameters or systems. Although these parameters guide the final outcome of the work, generative art is generally a surprising way to create artworks, as the results are often unexpected and the number of possible outcomes can be infinite.
AI
AI art is a branch of generative art that uses artificial intelligence. Unlike other generative artworks, AI artworks use specific complex algorithms and models derived from machine learning. The most common methods for creating AI art today are GANs (generative adversarial networks) or proprietary prompting platforms such as ChatGPT, Sora, Midjourney, or Dall-e.
3D
3D art uses 3D software such as Blender, Cinema4D, Houdini, or video game software such as Unity to create works of art. In 3D works, artists can either arrange assets (the 'objects' in a 3D artwork or world) that they have created themselves or purchased from other creators to create elaborate environments and scenes (an approach to 3D art called 'set dressing'), or specialize in sculpting, which involves creating their own objects and assets.
Photogrammetry
Photogrammetry is a specialized 3D technique that allows 3D objects to be created from numerous photographs taken of an object or scene from multiple angles. These photos are then compiled to determine the specific positioning, shape, and dimensions of the object in space, and then converted into a 3D model. Initially developed for engineering and urban planning, photogrammetry has become a way for artists to produce extremely accurate 3D models from real-life images.
Collage
An extension of the traditional, plastic approach to collage, digital collage involves searching for and cutting out multiple images, extracting them from their original context, and recomposing them in a new arrangement to create a work of art. Artists can use their own photographs or find images on the internet.
Illustration
Digital illustrations are created using software such as Adobe Illustrator, Photoshop, or Procreate. As with drawing on paper, the artist uses a stylus to sketch a figure or object, usually on a tablet, to construct a scene or artistic universe. Unlike traditional drawing methods, digital illustration is much more forgiving, as mistakes can be easily corrected and drawn elements and objects can be easily moved around within a scene.
Video
Video artworks primarily use a recording camera, but may sometimes include additional post-processing or editing to distort, modify or add additional elements to the image. Some artists use state-of-the-art recording equipment to create macro zoom-ins or time lapses, privileging fidelity to the subject matter. Others use additional softwares to significantly modify or warp the video, creating an alternative perspective on the world that surrounds us.

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