landscape
collage
00:59
2025
Treeskulltown is the conceptual avatar of a French multidisciplinary artist. For the last 4 years, he has been working in the field of digital art. Having grown up in the 80s, the emergence and development of computer technologies and techniques resonated with him and fuelled his curiosity. With 20 years of experimentation and hybridisation between physical and digital art under his belt, his work today is as much a personal quest as an artistic one. When he became a father, a need for simplicity and freedom, combined with the constraints of mobility, led him to return to the source of the desire to create and the pleasure of doing so, using organic materials (earth, paper, paint, cardboard, wood, etc.). It's a way of rediscovering meaning by naturally reconnecting with feelings and emotions. His aim is to develop a temporal parallel, a conversation, with the masters of classical art, to create a sub-reality to art history using mixed media animation techniques, thus creating an analogue palimpsest in digital strata.
Very involved in the crypto-artist community, his works are collected in Ethereum on FOUNDATION, in Tezos on OBJKT and in Bitcoin on GAMMA. Since 2022, his work has been exhibited and presented internationally at major events such as Art Crush Gallery, MOWNA, NFT NYC, NFT Japan, DAM Zine, NFC Lisbon, NFT Factory Paris, R HAUS Art Basel Miami, QUANTA Gallery London, IHAM NFT Gallery Paris. He was also selected in 2024 in The Hug 100 artists to watch and in the N3W Society Bookzine with the web3 agency: BRAWHAUS. His continual quest to reinvent himself and experiment provokes an emotional interaction with the viewer while guiding them with a subtle and conceptualised narrative.

“Groundhog Day” is distinguished by its subrealist abstraction approach, blending traditional physical painting techniques with innovative digital processes. This hybridization allows for a new visual reading, accentuating the dreamlike and contemplative dimension of the work. By questioning conventional forms, this piece pays homage to Van Gogh while proposing a contemporary vision, thus translating a dialogue between past and present.
Allegory of Artistic Time
At the heart of the collection, a profound allegory emerges around the notion of time in artistic creation. A paradox emerges between the time devoted to creative conception and that required for dissemination and public interpretation. Artists can often feel that their journey is in vain in the face of this temporal gap, yet a feeling of enjambment — a kind of emotional contradiction — persists. This dynamic is embodied in “Groundhog Day,” where the time of ideas and their reception intertwine, thus questioning artistic sustainability.
Contemplative Symbolism and the Movement of Life
The abstraction in movement present in the collection symbolizes life in perpetual motion. This contemplative symbolism invites the viewer to appreciate the splendor of existence, even through forms such as hybrid digital animation. This interpretation accentuates the vitality and fluidity of life, reflecting an optimistic outlook despite the inherent complexities of human existence.
Conclusion
The "Xanthopsia" collection offers a profound reflection on artistic time and human life through a modern reinterpretation of an iconic work by Van Gogh. By combining subrealist abstraction, mixed media and contemplative symbolism, it invites the viewer to meditate on the duality of creative time and the importance of reinventing the classics through current technologies. In this way, "Xanthopsia" asserts itself as a bridge between the past and the present, enriching our understanding of art and our own relationship to time.
Tribute to : Van Gogh, Wheat Stacks with Reaper
See the original work at: Toledo Museum of Art
collage
landscape
00:59
2025