Treeskulltown

France

Treeskulltown is the conceptual avatar of a French multidisciplinary artist. For the last 4 years, he has been working in the field of digital art. Having grown up in the 80s, the emergence and development of computer technologies and techniques resonated with him and fuelled his curiosity. With 20 years of experimentation and hybridisation between physical and digital art under his belt, his work today is as much a personal quest as an artistic one. When he became a father, a need for simplicity and freedom, combined with the constraints of mobility, led him to return to the source of the desire to create and the pleasure of doing so, using organic materials (earth, paper, paint, cardboard, wood, etc.). It's a way of rediscovering meaning by naturally reconnecting with feelings and emotions. His aim is to develop a temporal parallel, a conversation, with the masters of classical art, to create a sub-reality to art history using mixed media animation techniques, thus creating an analogue palimpsest in digital strata.

Very involved in the crypto-artist community, his works are collected in Ethereum on FOUNDATION, in Tezos on OBJKT and in Bitcoin on GAMMA. Since 2022, his work has been exhibited and presented internationally at major events such as Art Crush Gallery, MOWNA, NFT NYC, NFT Japan, DAM Zine, NFC Lisbon, NFT Factory Paris, R HAUS Art Basel Miami, QUANTA Gallery London, IHAM NFT Gallery Paris. He was also selected in 2024 in The Hug 100 artists to watch and in the N3W Society Bookzine with the web3 agency: BRAWHAUS. His continual quest to reinvent himself and experiment provokes an emotional interaction with the viewer while guiding them with a subtle and conceptualised narrative.


Treeskulltown_Collage.png

Xanthopsia 28: Night of the Chimeras

Xanthopsia_28_Night_of_the_Chimeras_Treeskulltown_Collage.mp4

This reinterpretation of Starry Night, renamed “Night of the Chimeras” within the Xanthopsia collection, is situated at the intersection of contemporary art, philosophical symbolism and technical experimentation. The work is intended to both pay homage to and surpass Van Gogh’s original work, by injecting it with an animist and digital dimension that dialogues with Asian sensibility and existential meditation.

Therefore, the choice of title and technique – a mix of physical painting and digital animation – invites us to consider the painting as a metaphor for the state of consciousness in motion. Van Gogh’s quote to his sister on the importance of capturing the richness of the night, with its purples, blues, greens and subtle hues, serves as a common thread for this reflection. Indeed, it is no longer simply a matter of transposing a starry sky, but of immersing the viewer in an ambiguous space where dream and reality merge, where the visible and the invisible converse.

On a symbolic level, “The Night of Chimeras” depicts this liminal moment between the conscious dream and the unconscious, a crossing where forms are transformed into creatures carried by colorful memories and hopes. The introduction of subjective animations on certain areas of the painting allows this perpetual movement to be materialized, illustrating the abstraction of life that is constantly renewed. The central black pixel, for its part, represents a point of meditation, a visual conciseness that encourages the viewer to reflect on the tensions inherent in existence: the confrontation between chaos and harmony, darkness and light.

The artistic approach here is twofold. On the one hand, it echoes Van Gogh’s quest to transcribe the emotional density of the night, while renewing this perspective through digital technology, which today offers the possibility of exploring new visual languages. On the other hand, it is part of a philosophical tradition that recognizes in duality – the apparent coexistence of opposites – a profound truth about the human condition. Thus, this work positions itself as an anchor point for meditating on the coexistence of beauty in the dark and luminosity in despair, symbolizing a utopian vision where even dark moments contain flashes of positivity. In short, “Night of Chimeras” transcends simple imitation to offer a contemporary and multidimensional reading of The Starry Night. It questions the nature of time, the fluidity between dream and reality, and the timelessness of human experience, while demonstrating how modern techniques – mixing materiality and digital – can enrich our understanding of classical works and art in general. This dynamic dialogue between traditional technique and digital innovation opens new perspectives on the interpretation of Van Gogh’s legacy, and reminds us that art remains a force capable of reinventing itself and of dialoguing with the aesthetic and existential concerns of each era.

Tribute to : Van Gogh : Starry Night
See the original at Orsay Museum

technique

collage

format

landscape

duration

00:59

year

2025

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