Treeskulltown

France

Treeskulltown is the conceptual avatar of a French multidisciplinary artist. For the last 4 years, he has been working in the field of digital art. Having grown up in the 80s, the emergence and development of computer technologies and techniques resonated with him and fuelled his curiosity. With 20 years of experimentation and hybridisation between physical and digital art under his belt, his work today is as much a personal quest as an artistic one. When he became a father, a need for simplicity and freedom, combined with the constraints of mobility, led him to return to the source of the desire to create and the pleasure of doing so, using organic materials (earth, paper, paint, cardboard, wood, etc.). It's a way of rediscovering meaning by naturally reconnecting with feelings and emotions. His aim is to develop a temporal parallel, a conversation, with the masters of classical art, to create a sub-reality to art history using mixed media animation techniques, thus creating an analogue palimpsest in digital strata.

Very involved in the crypto-artist community, his works are collected in Ethereum on FOUNDATION, in Tezos on OBJKT and in Bitcoin on GAMMA. Since 2022, his work has been exhibited and presented internationally at major events such as Art Crush Gallery, MOWNA, NFT NYC, NFT Japan, DAM Zine, NFC Lisbon, NFT Factory Paris, R HAUS Art Basel Miami, QUANTA Gallery London, IHAM NFT Gallery Paris. He was also selected in 2024 in The Hug 100 artists to watch and in the N3W Society Bookzine with the web3 agency: BRAWHAUS. His continual quest to reinvent himself and experiment provokes an emotional interaction with the viewer while guiding them with a subtle and conceptualised narrative.


Treeskulltown_Collage.png

The Three Paths: Piece 1: Vision: Xanthopsia 147

The_Three_Paths_Piece_1_Vision_Xanthopsia_147_Treeskulltown_Collage.mp4

1. Contemporary Abstraction as a Spiritual Path


My work is part of a subrealist abstraction, where the deconstruction of Van Gogh's forms becomes a vehicle for exploring the Three Paths of Mahayana:

- Vision (initial awakening, right perception)

- Meditation (contemplative deepening)

- The path of the arhat (ultimate liberation).

By transposing these stages into an abstract expressionist movement, I create a visual allegory of the spiritual process, where the fragmentation of colors and textures evokes the dissolution of illusions (māyā). The dominance of xanthopsia yellows (a reference to Van Gogh's visual disturbances) symbolizes both suffering and enlightenment, embodying the Buddhist duality between samsara (the cycle of rebirth) and nirvana (liberation).

2. Technical Hybridity: A Slow Digital Ritual Against Immediacy


My hybrid method—photographed acrylic, hand-cut tracing paper, and stop-motion animation—is a metaphor for the Three Paths:

- The physical (the canvas): Anchoring in matter, like traditional meditative practice.

- The digital (animation): Transcendence, the immateriality of the dharma.

By resisting digital immediacy through a slow, ritualized process, I reverse the logic of scroll culture to create a contemplative practice, reminiscent of Buddhist thangkas (meditative paintings) reinterpreted for the digital age.


3. "Xanthopsia": Yellow Perception as Digital Theology


The Xanthopsia collection pushes Van Gogh's perceptual distortion further:

- Yellow is no longer simply a pathological color (as in the theory of foxglove poisoning), but a spiritual filter, a modern yantra where light hides darkness, and vice versa.

- Digital overprints create visual palimpsests, evoking the interlocking worlds of Buddhism (the six realms of samsara).

My reinterpretation of The Flower Garden thus becomes a karmic map: each animated petal represents a being in transition, between desire (trishna) and awakening (bodhi).


Conclusion: Art as a Contemporary Vehicle (yana)


My piece "Vision" does not simply reinterpret Van Gogh: it transforms him into a visual sutra, where each digital brushstroke is a mantra, each layer a realm of existence. By merging Mahayana, subrealism, and digital hybridity, I create a liturgical art for the post-internet era—an active meditation on perception, suffering, and possible liberation through images.

Tribute to Van Gogh : «  Blumengarten »

Original at : private collection

2160 x 3840 px / 4k MP4 / 116 Mo / 5 fps / 1/1 édition

On @objktcom :
https://objkt.com/tokens/KT1SPfxmyYFdQtFdc8cr9o1Mgkc6RU3LBKHP/151

technique

collage

format

portrait

duration

00:59

year

2025

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