Ozan Turkkan

Austria

Vienna-based new media artist Ozan Turkkan works at the intersection of art, science and technology. His work is centred on experimental digital media, focusing on generative and algorithmic art, AI (Artificial Intelligence), mixed reality experiences, digital archives, interaction, and motion as a reflection of the impermanent nature of existence, and human and social behaviour. He uses technology as a canvas to create innovative and engaging digital art installations. He is a co-founder of the NODE Media Lab, Vienna Vienna-based non-profit multi-disciplinary creative establishment with the main focus on research and production of interdisciplinary experiences around new media art, science and technology.

Living in numerous cities throughout his life Ozan Turkkan has developed a sense of multiculturalism and cosmopolitanism which characterised his works. Complicated structures, conflicting and coexisting colours, and diversity have been parameters to push the artist to stress a complex field that is converging around the art, new technologies, and the sciences of nature.

He likes to explore the many-folded boundaries between science, art, and new technologies and combine different media elements in a creative process. Before the first steps in digital media, he studied and practised various art disciplines in Philadelphia, Salamanca, and Barcelona, collaborating with numerous institutions and art centres. After he graduated from The University of Salamanca, he received his Master's degree in Multimedia at BAU (Escola Superior de Disseny, Universitat Central de Catalunya) in Barcelona, where he lived and worked for many years as a new media artist.

His work has been exhibited in Art Centers, Museums, and Galleries such as; Santa Monica Art Centre Barcelona, Reina Sofia Museum Madrid, Centre of Contemporary Art Luigi Pecci Florence, Torrance Museum Los Angeles, Victoria House London, Lincoln Center NY, Banannefabrik Luxembourg, Europalia Art Festival Brussels, Les Brigittines Contemporary Arts Centre Brussels, Museum of Contemporary Art Belgrade, Santral Istanbul, Akbank Art Centre Istanbul, LOOP Videoart Festival Barcelona, Rotterdamse Schowbourg Rotterdam, WUK Vienna, Ars Electronica, Zifergauz St. Petersburg, Künstlerhaus Bregenz...


Ozan_Turkkan_Video.jpg

RECYCLED

RECYCLED_Ozan_Turkkan_Generative_art.mp4

Part of the Transitional Forms research project “Recycled” is a generative video installation that explores the aesthetics of transformation—both visible and invisible, material and emotional. Oscillating between abstraction and emergence, the work engages with the cyclical nature of matter, memory, and energy. It reflects on the perpetual processes of decomposition and recomposition that define existence, not only in the ecological realm but within psychological, cultural, and technological domains.

Drawing inspiration from biomimicry, signal behaviour, and affect theory, the piece visualises a landscape in flux: a rhythmic choreography of morphing textures, dissolving shapes, and reassembling structures. Here, motion becomes a metaphor for impermanence, and transformation is no longer just change—it is a method of becoming.

The act of recycling is not merely environmental but ontological. In Recycled, form is not fixed—it is a condition of being in transition. Frequencies collide, digital material breathes, and fragmented remnants of the past reconfigure into speculative futures.

This continuous loop of breakdown and rebirth invites the viewer to consider how identity, culture, and memory are also constantly composted recoded and reimagined through cycles of rupture and renewal.

In this immersive video meditation, the digital becomes organic, the artificial becomes alive, and impermanence becomes the core engine of creativity.

Technically, Recycled is constructed through generative algorithms and real-time manipulation of digital textures. Using custom-coded systems and audiovisual synthesis, the piece evolves continuously —driven by data, randomness, and internal logic that mirror the organic unpredictability of natural systems.

technique

generative art

format

landscape

duration

02:52

year

2022

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Generative art
Generative art refers to a way of creating artworks using an autonomous system. In digital art, these are usually generated from code and algorithms created by the artist, often with certain predefined parameters or systems. Although these parameters guide the final outcome of the work, generative art is generally a surprising way to create artworks, as the results are often unexpected and the number of possible outcomes can be infinite.
AI
AI art is a branch of generative art that uses artificial intelligence. Unlike other generative artworks, AI artworks use specific complex algorithms and models derived from machine learning. The most common methods for creating AI art today are GANs (generative adversarial networks) or proprietary prompting platforms such as ChatGPT, Sora, Midjourney, or Dall-e.
3D
3D art uses 3D software such as Blender, Cinema4D, Houdini, or video game software such as Unity to create works of art. In 3D works, artists can either arrange assets (the 'objects' in a 3D artwork or world) that they have created themselves or purchased from other creators to create elaborate environments and scenes (an approach to 3D art called 'set dressing'), or specialize in sculpting, which involves creating their own objects and assets.
Photogrammetry
Photogrammetry is a specialized 3D technique that allows 3D objects to be created from numerous photographs taken of an object or scene from multiple angles. These photos are then compiled to determine the specific positioning, shape, and dimensions of the object in space, and then converted into a 3D model. Initially developed for engineering and urban planning, photogrammetry has become a way for artists to produce extremely accurate 3D models from real-life images.
Collage
An extension of the traditional, plastic approach to collage, digital collage involves searching for and cutting out multiple images, extracting them from their original context, and recomposing them in a new arrangement to create a work of art. Artists can use their own photographs or find images on the internet.
Illustration
Digital illustrations are created using software such as Adobe Illustrator, Photoshop, or Procreate. As with drawing on paper, the artist uses a stylus to sketch a figure or object, usually on a tablet, to construct a scene or artistic universe. Unlike traditional drawing methods, digital illustration is much more forgiving, as mistakes can be easily corrected and drawn elements and objects can be easily moved around within a scene.
Video
Video artworks primarily use a recording camera, but may sometimes include additional post-processing or editing to distort, modify or add additional elements to the image. Some artists use state-of-the-art recording equipment to create macro zoom-ins or time lapses, privileging fidelity to the subject matter. Others use additional softwares to significantly modify or warp the video, creating an alternative perspective on the world that surrounds us.

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