Gamgie

France

Clément Rignault, known by the artist name Gamgie, is a multidisciplinary creator based in Lyon, France. Describing himself as a digital artist, creative coder, engineer, author and performer, he develops installations, performances and stage works where digital technology becomes a gateway to imagination. Through generative artworks built with code and physics-based systems, he creates abstract visual environments in which particles and forms evolve through computational processes. Using tools such as the game engine Unity, his practice explores interactive and contemplative experiences where participants and performers become part of the artwork itself. Inspired by nature, the cosmos, and scientific disciplines—particularly physics and mathematics—his work revolves around a central question: what is reality? His pieces open spaces for imagination, contemplation and introspection.

In 2011 he co-founded the company Augmented Magic in Paris with magician Moulla, exploring the intersection between illusion, digital art and video projection. Over the following five years, he collaborated on the creation of performances, installations and stage pieces presented at international festivals, events and television programs. Alongside his artistic work, Gamgie also investigates altered states of consciousness and the expressive potential of the body. This exploratory approach has led him to experiment with practices such as meditation, fasting, long-distance walking and expeditions in extreme environments, as well as physical forms of expression including dance and clowning.


Alexandra Terrazoni - DSCF601h1 2.jpg

Half Heart Beat

Half_Heart_Beat_Gamgie_Generative_art.mov

Half Heart Beat explores a fundamental, intimate, and invisible rhythm: the heartbeat.

Present within every body, this unconscious pulse governs circulation and situates life within a variable frequency, modulated by effort, emotion, and time. The work questions the relationship between biological rhythm and our deep attraction to repetitive structures such as music or drumming. Highly regular rhythms, through their predictability, have long been used to induce altered states of consciousness.

The visual system here follows a pulse of 30 beats per minute—one beat every two seconds—forming a minimal unit for measuring time. By comparison, a young and athletic heart beats at approximately 60 beats per minute.

The image advances in jolts, translating the heart’s successive pushes and the inertia that absorbs each movement. It makes perceptible an internal, continuous flow that traverses the body while remaining invisible.

The work explores the possibility of synchronization—with breath, with attention, with the inner rhythm itself. It stages a gradual transition from a discrete, regular beat toward a more continuous, sometimes chaotic flow—moving from measured rhythm to a state of flow.

Aeternity is a series of video works exploring perception, consciousness, and the vertigo of infinity. 

Through abstract forms, oscillating structures, and dynamic fields of force, the series questions how the human mind attempts to grasp what fundamentally exceeds it. 

Each work creates tension between order and chaos, harmony and noise, attraction and threat.
Recurring motifs — circles, layers, flows, vibrations — evoke both cosmic phenomena and inner mental landscapes. 

The images do not represent reality; they activate it, inviting the viewer to reconstruct meaning through projection, intuition, and imagination. 

Aeternity focuses on thresholds: 
between the self and its dissolution, 
between linear time and cyclical time, 
between matter and abstraction. 

The series proposes a contemplative encounter with infinity — not as a concept to be understood, but as a fragile, unstable, and deeply human experience.

technique

generative art

format

landscape

duration

03:48

year

2025

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More from Gamgie

More on digital art

Generative art
Generative art refers to a way of creating artworks using an autonomous system. In digital art, these are usually generated from code and algorithms created by the artist, often with certain predefined parameters or systems. Although these parameters guide the final outcome of the work, generative art is generally a surprising way to create artworks, as the results are often unexpected and the number of possible outcomes can be infinite.
AI
AI art is a branch of generative art that uses artificial intelligence. Unlike other generative artworks, AI artworks use specific complex algorithms and models derived from machine learning. The most common methods for creating AI art today are GANs (generative adversarial networks) or proprietary prompting platforms such as ChatGPT, Sora, Midjourney, or Dall-e.
3D
3D art uses 3D software such as Blender, Cinema4D, Houdini, or video game software such as Unity to create works of art. In 3D works, artists can either arrange assets (the 'objects' in a 3D artwork or world) that they have created themselves or purchased from other creators to create elaborate environments and scenes (an approach to 3D art called 'set dressing'), or specialize in sculpting, which involves creating their own objects and assets.
Photogrammetry
Photogrammetry is a specialized 3D technique that allows 3D objects to be created from numerous photographs taken of an object or scene from multiple angles. These photos are then compiled to determine the specific positioning, shape, and dimensions of the object in space, and then converted into a 3D model. Initially developed for engineering and urban planning, photogrammetry has become a way for artists to produce extremely accurate 3D models from real-life images.
Collage
An extension of the traditional, plastic approach to collage, digital collage involves searching for and cutting out multiple images, extracting them from their original context, and recomposing them in a new arrangement to create a work of art. Artists can use their own photographs or find images on the internet.
Illustration
Digital illustrations are created using software such as Adobe Illustrator, Photoshop, or Procreate. As with drawing on paper, the artist uses a stylus to sketch a figure or object, usually on a tablet, to construct a scene or artistic universe. Unlike traditional drawing methods, digital illustration is much more forgiving, as mistakes can be easily corrected and drawn elements and objects can be easily moved around within a scene.
Video
Video artworks primarily use a recording camera, but may sometimes include additional post-processing or editing to distort, modify or add additional elements to the image. Some artists use state-of-the-art recording equipment to create macro zoom-ins or time lapses, privileging fidelity to the subject matter. Others use additional softwares to significantly modify or warp the video, creating an alternative perspective on the world that surrounds us.

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