
portrait
collage
01:01
2024
ojovivo is an experimental digital artist from San Miguel de Tucumán, Argentina. His work focuses on animation, motion graphics, and animated collage, combining multiple visual languages such as video, 3D, artificial intelligence, and the creative use of CC0 material. Each piece emerges from a conceptual search where the technique adapts to the idea—not the other way around—allowing the symbolic, the surreal, and the abstract to coexist in constant transformation. He holds a degree in Graphic Design, and his training in digital art and new technologies developed through continuous study in online environments, digital communities, specialized forums, and platforms like YouTube, where he deepened his understanding of contemporary visual creation techniques.
For several years, he worked as a freelance motion graphics designer for international studios, creating animated sequences, title designs, and special effects. His work has received both national and international recognition and has been selected for festivals such as Pause Fest (Australia), IndieX Film Fest (USA), Off Camera Plus / Off Motion (Poland), and the Buenos Aires Rojo Sangre Film Festival (Argentina). His digital art has been exhibited in both physical and virtual galleries worldwide, including NFT Revolution (Saudi Arabia), NFT Liverpool (UK), NFT Europe (Spain), NFT NYC (2023, 2024, 2025), Beeple Studios, NFT Bali, PremioB Arte (Argentina), and The Futura Canvas (South Korea), among others in countries such as France, Japan, and Canada.

Joséphine-Éléonore-Marie-Pauline de Galard de Brassac de Béarn (1825–1860), Princesse de Broglie
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Jean Auguste Dominique Ingres
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Jean-Auguste-Dominique Ingres, the neo-classical French artist par excellence, painted this masterpiece toward the end of his life when his reputation as a portraitist to prominent citizens and Orléanist aristocrats had been long established. Pauline de Broglie sat for the artist’s final commission. Ingres captures the shy reserve of his subject while illuminating through seamless brushwork the material quality of her many fine attributes: her rich blue satin and lace ball gown, the gold embroidered shawl, and silk damask chair, together with finely tooled jewels of pearl, enamel, and gold. The portrait was commissioned by the sitter’s husband, Albert de Broglie, a few years after their ill-fated marriage. Pauline was stricken with tuberculosis soon after completion of the exquisite portrait, leaving five sons and a grieving husband. Through Albert’s lifetime, it was draped in fabric on the walls of the family residence. The portrait remained in the de Broglie family until shortly before Robert Lehman acquired it.
collage
portrait
01:01
2024