portrait
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2026
Timo Helgert (Vacades) is a German artist and creative director based in Seoul, whose work lies at the intersection of art, technology, and emotion. His background, marked by a childhood spent in harmony with nature, deeply influences his practice, in which he explores the tension between the organic and the urban, and between serenity and technological innovation. Through his studio, Vacades, he creates immersive digital experiences that combine 3D design, CGI, artificial intelligence, and mixed reality to transform everyday spaces into poetic reflections, evoking nostalgia and wonder. His approach, both cinematic and contemplative, is rooted in the belief that digital art can be both visionary and meditative, offering a visual and emotional escape. Through Vacades, he continues his quest to push the boundaries of digital storytelling, fusing nature, imagination, and technology to create harmonious worlds.
His work has captivated luxury brands and cultural institutions around the world, with which he collaborates to create digital campaigns, installations, and immersive experiences. His partners include prestigious names such as Burberry, Cartier, Hyundai, LVMH, Maserati, Mercedes-Benz, and Tiffany & Co. Recognition of his talent extends far beyond the commercial sphere: a winner of the Korea Design Award (1st prize), Timo Helgert has also been featured by Forbes and participated in a collaborative exhibition at Shanghai International Airport. His creations have been exhibited by the Korean government and showcased by SeoulMySoul. They have also been praised by the international press, with features in publications as diverse as Elle, Rolling Stone, Marie Claire, and the Korean Design Annual.

The dome of Les Invalides rises as it always has, steady and gold against the sky, but everything leading toward it begins to soften into something more fluid. A narrow stream runs through the center, guiding the eye forward, while dense layers of violet blossoms fall from the sides, slowly reshaping the space.
The architecture remains untouched, but it feels quieter now. Less defined by its edges, more by the atmosphere around it. The water reflects light upward, pulling soft blue tones into the flowers, blending color and structure into one continuous surface.
Movement here is subtle. The water flows, the blossoms hang and shift gently, and the light settles across everything without urgency. It feels less like a place to pass through and more like something to pause within.
This moment imagines Les Invalides not as a fixed monument, but as part of a living system. A space where structure, water, and growth align, creating a calm, immersive environment that feels both grounded and slightly unreal.
video
portrait
01:00
2026
