Corina Lipavsky is a Venezuelan born, Miami based digital artist, researcher and teacher, working at the intersection of art, technology, and nature. Using generative media, code and AI, she explores new ways of understanding and representing the living world. Her practice spans diverse formats, including print, video, installation and interactive pieces. Rooted in theory and research, Corina’s work is guided by a scholarly approach, treating each project as an experimental inquiry driven by critical thinking. While she uses digital media as a tool, her practice remains fundamentally conceptual, questioning dominant narratives and proposing alternative ways of thinking about nature and technology. For over a decade, Corina has investigated the potential of code to reimagine our relationship with nature. More recently, she’s been developing what she likes to call a Bio-Sci-Fi approach—speculative research at the intersection of biology and science fiction, exploring the possibility of interspecies communication, hybrid ecologies, and multispecies futures. Inspired by thinkers like Donna Haraway and Anna Tsing, and sci-fi writers like Ursula K. Le Guin and Octavia Butler, her work takes a feminist perspective to envision alternative narratives of coexistence in a more-than-human world.

Researcher in theories of the image and (post)digital aesthetics, Corina has taught at the Andrés Bello Catholic University and the Prodiseño School in Caracas, Venezuela; at Elisava School and the Istituto Europeo di Design in Barcelona, Spain; and at the University of the Andes and the Validadero Artístico in Bogotá, Colombia. Her work has been exhibited in museums, galleries, and alternative spaces across Venezuela, Colombia, Costa Rica, Mexico, the U.S., Germany, and Spain. Some of her artworks are part of institutional collections such as the Jacobo Borges Museum, the Museum of Contemporary Art of Zulia, and the graphic collection of the Banco Mercantil in Venezuela, as well as various private collections in Latin America, the United States, and Europe. Most recently, she was featured in the What is a Sculpture collaborative performance in Miami in 2025, and Chroma Art Film Festival in 2024.

Artist photograph credited to Fátima Martínez.